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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<P> </P>
<P><font size="5" face="Verdana, Arial, Helvetica, sans-serif">Decimal
Numogram</font></P>
<P>
<P><b><font face="Verdana, Arial, Helvetica, sans-serif">Pandemonium is
the complete system of Lemurian demonism and time sorcery. It consists
of two principal components: Numogram (time-map) and Matrix (listing
the names, numbers and attributes of the demons).</font></b>
<P><b><font face="Verdana, Arial, Helvetica, sans-serif">The system is
constructed according to immanent criteria latent in decimal numeracy,
and involves only basic arithmetical operations (assembled from additions
and subtractions). </font> </b>
<p><b><font face="Verdana, Arial, Helvetica, sans-serif">The Numogram,
or Decimal Labyrinth, is composed of ten zones (numbered 0-9) and their
interconnections. These zones are grouped into five pairs (syzygies)
by nine-sum twinning [zygonovism]. The arithmetical difference of each
syzygy defines a current (or connection to a tractor zone). Currents
constitute the primary flows of the numogram. </font></b></p>
<p><b><font face="Verdana, Arial, Helvetica, sans-serif">Each zone number
when digitally cumulated defines the value of a gate, whose reduction
sets the course of a corresponding channel. Channels constitute the
secondary flows, time-holes, or secret interconnections of the numogram.</font></b></p>
<p><b><font face="Verdana, Arial, Helvetica, sans-serif">The arrangement
of currents divides the Maze into three basic time-systems. Firstly,
the currents of the three central syzygies mutually compose a cycle,
rotating in anticlockwise steps. Lemurian sorcery calls this inner loop
the Time-Circuit. Secondly, and thirdly, in both the Upper and the Lower
syzygies the currents produced fold back into (a half of) themselves,
constituting autonomous loops: the Warp (upper), and Plex (lower). Warp
and Plex circuitries are of an intrinsically cryptic nature, which is
compounded by the enigmas of their interconnection. They are variously
considered to be Outside- or Outer-time.</font></b></p>
<p><b><font face="Verdana, Arial, Helvetica, sans-serif">The gates and
their channels knit the Maze together, providing connections between
otherwise incompatible time-systems. They open and close the ways of
sorcerous traffic. Although each gate deranges time in its own way,
their operations vary with a certain regional consistency. <br>
</font></b></p>
<p><b><font face="Verdana, Arial, Helvetica, sans-serif">1. <i>Numogram
and Otz Chaiim</i>. </font></b></p>
<p><b><font face="Verdana, Arial, Helvetica, sans-serif">To those familiar
with the Western Magical Tradition, it is likely that the Numogram will
initially evoke the Qabbalistic Tree of Life. Both are constructed as
decimal diagrams, involving webs of connectivity between ten basic zones,
mysteriously twisted into a cryptic ultra-cycle (that links upper and
lower regions). Both treat names as numbers, and numerize by digital
reduction and cumulation. Both include passages across abysmal waters
and through infernal regions. Both map zones onto spinal levels.</font></b></p>
<p><b><font face="Verdana, Arial, Helvetica, sans-serif">Despite these
manifold interlinkages, there are compelling reasons to consider the
Tree of Life a scrambled variant of the Numogram, rather than a parallel
system. During its long passage through Atlantean and post-Atlantean
hermetic traditions the systematic distortions of the Numogram (introduced
to confuse the uninitiated) gradually hardened into erroneous doctrines,
and a dogmatic image of the Tree.</font></b></p>
<p><b><font face="Verdana, Arial, Helvetica, sans-serif"> Most evidently,
a vulgar distribution of the numbers - in their exoteric counting-order
- was substituted (redundantly) for the now esoteric numogrammatical
distribution, which proceeds in accordance with immanent criteria (the
web emerging qabbalisitically from the zone-numbers themselves). More
devastatingly, the orginal consistency of numeracy and language seems
to have been fractured at an early stage, introducing a division between
the number of the Sephiroth (10) and that of the Hebrew alphabet (22).
The result was a break between the nodes of the tree and the interconnecting
paths, ruining all prospect of decipherment. The Sephiroth -segmented
over-aganist their connections - become static and structural, whilst
the paths lose any rigorous principle of allocation. A strictly analogous
outcome is evident in the segmentation of the Tarot into Major and Minor
Arcana. Increasingly desperate, arbitrary, and mystifying attempts to
re-unite the numbers and their linkages seems to have bedevilled all
succeeding occult traditions. <br>
</font></b></p>
<p><b><font face="Verdana, Arial, Helvetica, sans-serif">2. <i>Numogram
and I Ching</i>. </font></b></p>
<p><b><font face="Verdana, Arial, Helvetica, sans-serif">There is considerable
evidence, both immanent and historical, that the chinese I Ching and
the Nma numogram share a hypercultural matrix. Both are associated with
intricate zygonomies, or double-numbering systems, and process abstract
problematics involving subdivisions of decimal arrays (as suggested
by the Ten Wings of traditional I Ching commentary). Digital reduction
of binary powers stabilizes in a six-step cycle (with the values 1,
2, 4, 8, 7, 5). These steps correspond to the lines of the hexagram,
and to the time-circuit zones of the Numogram, producing a binodecimal
6-Cycle (which is also <br>
generated in reverse by quintuplicative numbering). In both cases a
supplementary rule of pairing is followed, according to a zygonovic
criterion (9-twinning of reduced values: 8:1, 7:2, 5:4, mapping the
hexagram line pairs).</font></b></p>
<p><b><font face="Verdana, Arial, Helvetica, sans-serif">The numogram
time-circuit, or I Ching hexagam, implictly associates zero with the
set of excluded triadic values. It is intriguing in this respect that
numerous indications point to an early struggle between triadic and
binary numbering practices in ancient chinese culture, suggesting that
the binary domination of decimal numeracy systematically produces a
triadic residue consistent with nullity. The hexagram itself exhibits
obvious tension in this respect, since it reinserts a triadic hyperfactor
into the reduced binodigital set (compounded by its summation to twenty-seven,
or the third power of three).</font></b></p>
<p><b><font face="Verdana, Arial, Helvetica, sans-serif">An ancient binotriadic
parallel to the I Ching, called the T'ai Hsuan Ching (or Book of the
Great Dark) consisted of eighty-one tetragrams, reversing the relation
of foregrounded and implicit numerical values. The division of Lao Tse's
Tao Te Ching into eighty-one sections suggests that this numerical conflict
was an animating factor in the early history of Taoism. <br>
<br>
3. <i>Ethnography of the Nma</i>.</font></b></p>
<p><b><font face="Verdana, Arial, Helvetica, sans-serif"> Nma culture
cannot be decoded without the key provided by the Lemurian Time-Maze.
The influence of a hyper triadic criterion of time is evident in the
relics of Nma kinship organization, calendrics, and associated rituals.
Prior to the calamity of 1883, the Nma consisted of true tribes (tripartite
macrosocial divisions). They were distributed in a basic tridentity
(interlocking large-scale groupings into Tak- Mu- and Dib-Nma), supported
by a triangular patrilocal marriage-cycle. Each marriage identified
a woman with a numogram current, or time-passage. (Tak-Nma women marrying
into the Mu-Nma, Mu-Nma ditto Dib-Nma, Dib-Nma ditto Tak-Nma). The common
calendar of all three tribes was based upon a zygotriadic system (using
6 digits to divide a double-year period of 729 days into fractional
powers of three). The Mu-Nma still employ such a calendar today. (The
current Mu-Nma calendar is adjusted by regular intercalations of three
additional days every second cycle, or four years. The earlier practice
of intercalations is not easily recoverable). </font></b></p>
<p><b><font face="Verdana, Arial, Helvetica, sans-serif">In the rituals
of the Nma the time-circuit is concretized as a hydro-cycle: a division
and recombination of the waters. The three stages of this recurrent
transmutation are, 1) the undivided waters (oceanic), 2) cloud-building
(evaporation), and 3) down-pour (precipitation, river-flow). These are
associated with the great sea-beast (Mur Mur), the lurker of steaming
swamps (Oddubb), and that which hunts amongst the raging storms (Katak).
The cycle is closed by a return to the abysmal waters, intrinsically
linking the order of time, and its recurrence, to an ultimate cataclysm
(prior to any opposition of cyclic and apocalyptic time). It is in this
context that the transcultural deluge-mythos can be restored to its
aboriginal sense (which also corresponds to the Hindu Trimurti, with
its three stages of creation, preservation and destruction). </font>
</b> </p>
<p></p>
<p><font face="Verdana, Arial, Helvetica, sans-serif"><b>4.<i> </i></b></font><i><font face="Verdana, Arial, Helvetica, sans-serif"><b>The
Numogram Zones</b></font></i></p>
<p><font face="Verdana, Arial, Helvetica, sans-serif"><strong><a href="zones/Zn#.htm">The
Zones</a>. <a href="zones/Zn0.htm">Zone Zero</a>. <a href="zones/Zn1.htm">Zone
One</a>. <a href="zones/Zn2.htm">Zone Two</a>. <a href="zones/Zn3.htm">Zone
Three</a>. <a href="zones/Zn4.htm">Zone Four</a>. <a href="zones/Zn5.htm">Zone
Five</a>. <a href="zones/Zn6.htm">Zone Six</a>. <a href="zones/Zn7.htm">Zone
Seven</a>. <a href="zones/Zn8.htm">Zone Eight</a>. <a href="zones/Zn9.htm">Zone
Nine</a>.<br>
</strong></font></P> </p>
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